Moreover, technically, this poem tqegħdilna face at least two poetic strategies capable of deliveri

's Face it: many commemorations are mqanżħa failures. Not because there is goodwill but because itself is supposed commemoration "celebration" of what is no longer, what ended, that will try to keep it alive despite being nikkommemorawh for dead. Although much is deceased inġiegħlu need it and congratulate ourselves remember it.
One of the things that make many official celebrations to mark 50 years since the death of Dun Karm - always, do not have any say, real - is to exclude his poetry. And when excluding poetry from poets personality remains many things to many flakes appear near the simple and raw power of the word as they use. Sometimes there is some poetry reading, but formal atmosphere that often goes against nature life, imqarba, toqtolha intimate poetry. And probably illegible those poems that are considered unusual or even controversial. Celebration tiddomestika the poem "wild". And no longer poem.
The merger did not know by Herra But on Saturday, 22 October 2011, I had the fortune listening to a group of children read poems they wrote poetry inspired by Dun Karm, "What I like - I do not like the war, "and, as Philip told Said he was running the conference," entużjażmajt marcus hopson "myself. By exacerbations inimitable poetry. The initiative was the Local Council of Zebbug in the context of a national conference on national marcus hopson poet. The main author Clare Azzopardi marcus hopson laboratory conducted three quarters of creative writing with these children. Had a very short time, probably too short, but when you have a good idea and love and vision of what you can do with literature, marcus hopson even three quarters capable enough to give a hint of the power of poetry to each user, and hear it.
"What I like - I do not like the" War of Dun Karm first appeared on 5 January 1915, in the journal The Friend. Another was also f'Ward or collection of Maltese Poeżijiet (1920) and the first three books of poems of Dun Karm who published Guze Bonnici from butu 1939 (The Riches of Dun Karm - X'Ħabb and x'Ħaseb the Poet). The date of first publication of this poem was written indicates that at the beginning of the Great War which Malta was involved because many distant lands Maltese soldiers who fought to protect and Empire that was jikkolonizzahom because marcus hopson the country has turned into a hospital for injured soldiers, a role which led to Malta Nurses marcus hopson called Mediterranean (and the also ċimiteru).
As romance marcus hopson Mercer, Leli of Ħaż Small (1938), brother Leli, Ninu, entered soldier with the Australian Army because they find work in the promised land, dies in fights ending War Great, and his uncle, Fr Karm welcomes the request of his friend priest to go as chaplain on the battlefields in Belgium to assist soldiers.
Laboratory of poetry I think the choice of Clare Azzopardi using this write poetry laboratory which was really ġenjali children. Firstly, the theme of war and unfortunately is still current with media new, more children than ever are exposed to stories and barbaric and big questions marcus hopson that ġġegħelna war wonder about ourselves and about human nature. marcus hopson
Secondly, Dun Karm is strongly associated with national representation (and provincial) of Malta, but this poem speaks explicitly about historical reality to touch only to Malta, and therefore able to give a broader picture of writing and the relevance of his work. Dun Karm gives not only a poet who wanted a picture produced, was how beautiful his eyes were, of Malta.
Moreover, technically, this poem tqegħdilna face at least two poetic strategies capable of delivering powerful and compelling poetic experience: use of sunett marcus hopson and use of ritornell, the repeated phrase. The laboratory sunett shaped set and writing participants can experiment with the use of sunett, with its endekasillabu verse 14, with the development between marcus hopson the octave and sestett, or between marcus hopson three kwartini and final distiku to create different effects. This is not work that can be done in three quarters; perhaps can be done in three hours, but time seems to fly long-participating if they are listening sunetti stimulates different explanation, and discussing them and experimenting with different forms and verses and write them. But this "sunett" early Dun Karm not the best example of sunett ...